Page 1 of 2 12 LastLast
Results 1 to 10 of 15

Thread: February Activities 2010

Hybrid View

  1. #1
    jenny b

    February Activities 2010

    This month we’re going to be focusing on what we’re all here for in the first place – reviewing. The topic is obviously quite broad, so anything pertaining to reviewing and how you review may be discussed.


    How do you review? Do you use a certain method?

    What type of fic do you usually review?

    What are the main things that you look for in a fic/comment on?

    What are your reviewing strengths and weaknesses?

    How have your reviews improved since being in SPEW, and is there anything you feel you could still improve on?

    Just some questions to get you started.

  2. #2
    jenny b

    February Featured Author

    Our featured author this month is the lovely Leanne, aka dory_the_fishie!

    Her author’s page can be found here.

    • You must review the featured author for it to count as your monthly activity requirement.
    • Post the link to your review here - you may also post it in the February review thread for credit as a review.
    • Questions in this thread are not part of the monthly requirement, but they are greatly encouraged. Also, they must have something to do with the subject of writing.

  3. #3
    Hi Leanne,

    When did you first start writing in the second person, and what drew you to it? I like reading it better than writing it, (and since I said in my review that I'm not a fan of second person stories that should tell you how much I dislike writing "you", heh) but it's hard for me to understand the attraction of it for so many other writers.

    Enlighten, por favor.

  4. #4
    Mind Games
    Hey Leanne! I just finished reading my first story by you and absolutely loved it. You're very talented, and I gushed quite a bit in my review.

    The story I read happened to be "Just a Little Longer", a one-shot about Narcissa's life and marriage to Lucius. How did you come up with the dancing metaphor for the story? Also, what sparked your interest in writing about Narcissa? She tends to be the most overlooked out of the three Black sisters.

    I really enjoyed reading your work, and I'll definitely read more by you again.

  5. #5
    Thanks for the reviews, girls! -squishes-

    Starting with Paige's general question about second person.

    I don't really remember when I started writing in second person. I saw some other authors who had used it, most notably Noldo, and I thought, "Now, that's different." When I first began writing, I didn't have much of a personal style, and discovering second person was, in a lot of ways, the start of my development of my own style. I tried it out a lot because I thought it was interesting. I feel like you're always told not to write in second person, but that's ridiculous. Second person has a real place in fiction. It isn't always the best choice, but I think sometimes it's exactly the way a story is meant to be told.

    I want to say that "nowadays" second person is much more common. I don't know how accurate that is, but it seems like I run across a lot more fics in second person these days than I did when I first started using it. This could just be because I'm more aware of it now, but I do think it's lost a bit of its novelty, if you will. However, the increase in quantity doesn't necessarily mean an increase in quality, and I think a lot of people are trying second person out without quite grasping it, or they're using it in fics that might be better in good ol' third person or even first person. Of course, I'm not an authority, that's just my opinion. For me, second person is a way to even more fully explore a character. It's like first person in some ways -- it really gets inside a character's mind -- but it's also more than that. It's more than just substituting 'I' with 'you.' There's a fine line between self-insertion and identifying with a character, and I think second person is that line. Hopefully the reader identifies with the character I'm writing, but not so much that it seems like I'm writing myself into my own fanon.

    Second person lends itself well to narration. It's a limited perspective, but it's less straight-forward, I think, than first person. It's an in-between, really. I like in-betweens. >.>

    Questions from Katty now!

    How did you come up with the dancing metaphor for the story? Also, what sparked your interest in writing about Narcissa?

    Honestly? I don't remember. >.< I wrote that story quite a while ago, and the process it went through is apparently not something that stuck. I think I started with the idea of 'just a little longer' and went from there. Somehow I thought dance fit well with Narcissa, who seems the ever-graceful but slightly repressed. I liked the idea of her taking dance lessons even though a pureblood family like the Blacks would probably not have permitted her to take lessons in anything from Muggles. And I also liked the image of Narcissa and Lucius dancing. Just something about it, you know?

    I first wrote about Narcissa in Fallen Petals of an Ambiguous Flower, which I don't really recommend reading now (to be frank, I wouldn't recommend Just A Little Longer either, but I like to think there's something for everybody on my author's page!). I was interested in the relationship between Narcissa and Lucius, which we only get glimpses of in the books. I just wanted to explore what their story was, you know?

  6. #6
    jenny b

    February Drabble Challenge

    Since it’s nearly Valentine’s Day, and I am forever a romantic, I couldn’t think of a better drabble prompt for this month. However, I’m going to put a few restrictions on it.

    You cannot write a canon pairing.
    It must be written in the second person.
    It must involve a letter in some way.
    (Interpret this any way you like; I just watched Atonement and it was the first thing that came into my head.)


    • Drabble can be between 250-800 words.
    • Content should not be any higher than a 3rd-5th Years rating.
    • All content that would require a warning on the MNFF Archive should be labelled appropriately.
    • This thread is for responses only. If you have a question, PM me.
    • Responses must be posted by February 28, 2010.
    • Please post using this format:

      Word Count:
    • As with all activities within the SPEW forum, this challenge is open only to SPEW members.

  7. #7
    Sixth Year Hufflepuff
    Seeking Keys
    inspirations's Avatar
    Join Date
    Aug 2008
    in a book <33
    Title: Forbidden Love
    Rating/Warnings: 3rd-5th years; sexual situations.
    Word Count: 738

    Right now, you have the feeling that whatever way you turn, you will meet resistance. Resistance in the form of somebody else, or resistance in the form of... well, you.

    Maybe this is happening because telling a friend will lead to barely suppressed disgust – and that disgust is something you can’t help but feel yourself. Right in the marrow of your bones. And he feels that disgust, too, but he can’t find a way to fight it either. This – this relationship – it feels wrong and right. Simultaneously.

    You wonder, is there such thing as forbidden love? A year ago, you would’ve said no – just because if it were meant to be, you believed it would be. So what if there were obstacles? Now, you’re not so sure...

    His kisses burn along your collarbone; you raise your head and look at the ceiling in exultation. You pull him against you in a tight embrace. The silk of his robes crinkles in your hand. You don’t want to let go. You never want to let go. Letting go means he’ll leave, and what if the resistance wins and he never comes back? What if...

    Put ‘what ifs’ aside. Stay in the here and now.

    You have these doubts too often.

    For the most part, you do stay in the here and the now. You leave that oft-used classroom, and you make your way up to Gryffindor Tower. You sit down with your friends before the fire, indulging in them, laughing with them -- being generally involved. Despite your outside appearance, though, on the inside you feel foreboding... worry. Typically, after enjoying his company, worry is not an emotion you’ll feel. Guilt, sometimes, but usually just happiness.

    When you drift up the stairs and snuggle into bed, you struggle to characterise why you feel uneasy. So uneasy.

    Tossing and turning is all you do tonight. Snarls of worry encase you, snaking up and capturing your arms in soft tendrils, tough as rope. Each breath comes too fast, tearing out of you until you’re rising up and falling – in your mind, that’s how it seems -- gasping for comfort, for everything to be as it should.

    At the darkest hour, your eyes snap open. A shiver vibrates your body as a cold, spine-tingling scratch on the window jerks you from your thoughts. The wind whistles outside, encircling the tower ominously.

    Sitting up, heart hammering, you resolve to see what’s going on outside. Something wills you to pull those bed hangings apart and look.

    Around, all the other girls are sound asleep.

    At the window is an owl. You take a deep breath. An owl. That’s it. You should relax. You can’t relax. You’re too highly wired to relax.

    The owl is brown, with white flecks spattering its wings and nose. It’s his owl, you realise, on reaching the window and pulling it open. A gust of wind chills the room as the owl flits in, hooting quietly as it settles on the seat beneath the window. It sticks its leg out, and you take the scroll it carries.

    His slanting handwriting is on the outside, and that uneasy feeling has returned.


    I’m not going to say sorry. We were wrong from the ‘go’. Forbidden, that’s us. My family would kill me if they knew I were indulging in you – I don’t have the guts Sirius possesses. I’m destined to be a Death Eater. I want to be a Death Eater. Could you love a Death Eater? Of course not. And I couldn’t love you. It would be my job to finish you in the end, and God forbid I should do that. I couldn’t do that.

    It’s better if I end this in a letter rather than face-to-face. Truthfully, I’m not sure I could have this discussion face-to-face. Lily, I—

    You scrunch the letter up, crushing it in your fist. Blinking hard, determined not to cry, you let the owl go and march down the stairs.

    The fire still burns in the grate; the common room is empty. Before you can think about reading the rest of the letter, you hurl the parchment in to the flames and collapse in to an armchair.

    The parchment folds in on itself, or so it seems in the dancing orange light. It becomes a pile of ashes.

    And your uneasiness is gone. You are an egg’s shell. Instead of foreboding, you feel undeniably empty.

  8. #8
    Russia Snow
    Title: Take a Chance
    Word Count: 272

    The watery sun glances off the red post-box in front of you. The letter in your hand feels heavy; your head spins as you contemplate dropping the folded parchment into the red box. Everything will change if you can find enough courage to let the letter fall from your hand.

    She will know how you feel, how you really feel. But... she might reject you. She already has a husband, and two children. Would she ever risk letting go of them because you sent her a letter?

    Just a letter, that’s all. One folded piece of parchment and some scribbles of dull black ink. Yet that piece of parchment could change your world. If only you had the courage to drop it in.

    What would she think if he received this letter through the Muggle post? She would see and feel the parchment; she would know it was from a fellow wizard. Would she understand the reason behind the Muggle way of delivering letters?

    You’ve changed. That is what you really want to tell her. You have changed and you have realised how you feel. Okay, so it may be ten years too late, but... you have to take this chance.

    Your hand quivers as your arm stretches toward the mouth of the Muggle posting box. Be brave, Draco. You have to take this chance. Borrow some of her Gryffindor bravery, she would have dropped the letter in with no problem, she was always so brave.

    Yes, you have to take this chance...

    The letter falls from your hand, onto the rain-damp floor. And there it stays.

    You didn’t take the chance.
    ~Russia xxxxx

  9. #9
    Title: Late
    Word Count: 229

    You love him so much.

    Maybe he was once the savior of the wizarding world, but no longer.

    He lies now, weak and frail, in his home, among all his family.

    Except you.

    You hold a letter in your hands, clutching it tight to your heart. Your thoughts spin, considering, emotions fighting against your mind. You’ve been fighting this for days, since the letter came.

    You sit, fingers clutching tight, eyes scanning, looking for an answer that is not there.

    Is the fight worth it? A squabble that escalated, led to this? Should you make up with the rest so you can see him one last time?

    Your father will be there, the father that cast you out of his home. Is it better to stay away, let your grandfather die a peaceful death? What does he want? Does he even love you any longer?

    Hair pulled, fretful. He was always there for you, staying neutral when all was going to hell around you. He would send you letters, but you never replied. Your eyes water, wishing for what you should have done.

    Your mind is decided. You pull out your wand, walk out to the street.

    An owl lands upon your shoulder as you are about to leave. He carries a letter in his beak. You take it from him, dread and fear filling your stomach.

    Too late.

  10. #10
    Mind Games
    How do you review? Do you use a certain method?

    I always start off by opening a word document to make comments in as I’m reading the story, which I use as a guide when I write the actual review. It helps me remember what stood out, what was particularly good, and what needed work. Sometimes I’ll also copy some lines from the story that I really liked, though I don’t often quote them in the review unless I have a good reason to.

    When I write the review, I usually comment on things in the order they happened in the story, and then finish the review with a brief closing paragraph.

    What type of fic do you usually review?

    I review a wide range of stories. Usually I just look around until I find something that looks good and start reading it. If I like it, I’ll end up reviewing it. If it was poorly written or just not at all my taste, I’ll move on and review something else. I never review stories unless I see at least some potential because otherwise the reviews are either too harsh or dishonest.

    I think the stories I’m most drawn towards reading and reviewing tend to be minor character romances, rarepairs, or stories featuring original characters. I don’t typically read stuff that’s heavily canon-focused, such as Ron/Hermione or Harry/Ginny because I prefer to read about them in the books instead. Plus, there’s only so much to be said about well-known characters. With minor characters, the author gets to create most of his or her personality and portray them anyway she likes. Rarepairs are fun because the author has to find a creative way to not only bring the characters together, but have them fall in love with each other.

    I also like to leave reviews for authors whom I know will appreciate them. If an author leaves a positive response to my review, it lets me know that she’s glad I reviewed. When I don’t get a reply, I’m never sure if the person read or liked the review. I know there are people who get offended by my critique, no matter how nicely I try to put it. A response helps me know that the author didn’t get upset by the criticism, and I’m much more likely to review for them again.

    What are the main things that you look for in a fic/comment on?

    I try to look at every aspect of a story – the plot, characters, writing, ect. I don’t always comment on everything, but I aim to talk about at least two or three main elements of the story, as opposed to writing a review that doesn’t comment on anything but the characterization. A lot of stories seem to be either plot-focused or character-focused, so I’ll usually leave a lot of comments on plot or characterization, but not always both.

    What are your reviewing strengths and weaknesses?

    With strengths, I’m fairly good at pointing out canon or plot mistakes, as well as characterization inconsistencies. I try to be very perceptive and focused when reading, so I think I'm good at catching things like that.

    For weaknesses, I’m very nitpicky. I’ve always been a perfectionist with writing, especially with spelling, punctuation, and grammar. If I see an error, I just can’t help but point it out, even if I know it’s only a typo. Some authors like to go back and correct typos, but most probably just ignore them.

    How have your reviews improved since being in SPEW, and is there anything you feel you could still improve on?

    They definitely have! For one thing, my writing skills have improved greatly, due to writing roughly one SPEW review per week while in the group. I’ve really learned how to be more concise and get my points across without rambling so much.

    I’ve also learned to be more honest. I know when I started reviewing, I would sometimes overly praise things to make up for more critical comments. There were many times when I was too nice because I didn’t want to come off as mean in my review. But after reviewing for awhile, I realized that being too positive about certain aspects of a fic is dishonest and doesn’t help the author. SPEW taught me how to leave a more critical review and still come off as helpful and encouraging instead of mean or condescending.

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts